Booh-Ya, Tsuboya!

I am going to say that Tsuboya Yaki falls into the category that I didn't know existed basically until I purchased this piece.  Tsuboya is a traditional Japanese pottery out of Osaka. While there is quite little information about it online in English, from what I have gathered their Yunomi are known for having this shape complete with rather large foot.

The artist is Nakamura Masahiro, and while this is not the initial piece I ordered from this artist ( the one I wanted was sold the day before and it had yet to show up in inventory). But the owner of the gallery informed me that he had another piece from this artist, and offered to send me photos.  Oddly this piece is really growing on me, The glaze pattern is quite interesting, I have never quite been one for Polka Dots.




This though seems to be one of the Japanese pieces I have that is the most resilient, with no sign of staining in crackles in the glaze ( can't really even see any crackles on the inside).  Its also rather nice, and don't tell anyone, but when I just wanted to drink big cups, I brewed up some Black/ Red tea and poured directly from the pot into the cup, and it was incredibly nice.  With my hagi I am scared to do something like that as I feel the strong odours will somehow get locked in the clay and then every time I have sencha after that it smells like Keemun or similar.

So I guess onto my review of the piece.  Super smooth glaze that is fun to touch, and some how my pinky always finds its self resting on and playing with the foot, when I hold it or drink it.   It definitely falls into the category of teaware I have started to explore recently, which are pieces that strive for perfection in their shape and form.  As such it may not be readily apparent, but those two photos are from opposite sides of the cup, even though they look basically identical. 

Mashiko!

So I am known for loving Wabi sabi pieces, which depending on your choice of words could be considered rustic, wonky, rough, or just plain childish in their appearance. One thing I will say is in my limited work with making my own pottery, the real talent in Hagi and similar wares is making the irregularity of the piece seem like it just absolutely belongs there.  Whether it is a  flaw in the glaze, or just plain rough and irregular form of the piece, after you get to know the piece you wouldn't have it any other way.

So now for something completely different:





This lovely cup is from Tagami Munetoshi a fifth generation Mashiko potter.  I say something completely different because the cup like quite a bit  of Mashiko ware, and many other types of pottery in Japan they aim for near perfection in every piece.  I honestly never thought I would enjoy these nearly perfectly created pieces as much as I do, its shape is also incredibly interesting, and its fun to rub my finger over those three green dots on each side of the cup which were applied quite thick and are slightly raised above the surface.

The cup its self when empty is so light and delicate feeling its almost like holding nothing at all, except for the slightly cool sensation on your fingers, there is no real sign that you are holding a piece of pottery. What was a wonderful surprise for me, is that although the glazing on the inside looked completely coherent, after a few cups of tea it stained in very fine crackles, giving the piece that well loved look I enjoy so much.

I will admit I have a lot to learn about Mashiko yaki.  I see no sign of a chop on this piece.  I almost wonder if its one of those things that takes some practice, and eventually you can identify a pieces providence on sight alone.

Wonky, Pinchwork, and quite surprising

I'm going to try and be as unbiased on this piece as possible, but I may wavery between hyper critical, and overly lovey dove-y with this piece.  This piece I actually made the form of on my very first day of ceramics class, but actually makes a decent chawan.  It is pinch-work with a coil foot. Sadly its quite wonky even for a pinchwork piece, due in part to the clay still being quite wet and weak when I attached the foot, so one side of the bowl is drooping.
 


The glazing of this piece was a huge lesson in how unpredictable glazing can be.  I call this Chawan my Painted teabowl, because the effect is it looks almost painted ( not in any particular design, but just painted, with earthy colors).  I had actually imagined a far more edgy piece, that had huge contrast, between white, black and dark green.  But as I am sure the experienced potters (if there are any) that read this blog, will subtly laugh at my intent while reading this, but for the most part I was treating glazing more like painting as in, whats on top is what will be seen.  I by no means considered that yes this when it is fired melts substantially then hardens again into basically a glass on the surface of the piece.

So the glazing of this piece, as I wanted that very bright white background, and looking at the test tiles, one coat did not look as white as I wished.  So I did two dips into the white glaze, then took a calligraphy brush, and did subtle brush strokes of Tenmoku on opposite sides, and Oribe on the other two sides.  Tenmoku of course being a black glaze, and Oribe being a dark vibrant green.  Well I can understand what the Tenmoku did, as I only did a single brush stroke, and brushing glaze onto a piece does not apply it incredibly thick, and tenmoku when applied thin tends to be a browner glaze.  The Oribe though still throws me for a loop, somehow the thin layer combining with the white glaze turned purple, but even more so developed a texture different from the rest of the piece.



This piece actually handled its first bowl of matcha surprisingly well.  While it will by no means become a regular teabowl that I use, in part because the drooping around the outside of the foot, caused a rim around the outside of the piece in which the liquid settles, and is actually somewhat hard to completely drain from the piece.

All in all I think it's a great first usable piece made by me.  While it is far from the look I was going for, it developed a rather rustic look, with a color palate similar to some pottery I have seen from the western United States, mainly in the Rocky Mountain, or Southwest region.